- X
- The Shot That Rang Across The Cosmos
- The Negotiation
- A short reunion
- The show must go on
- Redemption beyond Death
- MST Mortis-01: Bone Wardens
- Ouch Time
- Death of a party, death of an old man
- The brooding murder
- Return to Takachiho
- Jirumo, Devourer of Legends
- Wolf's tour
- The final clash
- Death of the Wolf Clan
- Turning Over a New Feather
- The Fox and the (Toy) Trumpet
- Blue Book Recruitment Ad
- Multiple-tailed nurse
- Return of the Monkey King
Four years ago
We are Project Blue Book! We are the protectors of humanity! The defenders of normalcy! We drive back the madness from beyond, from within and without! Our minds are clear, our purpose true! We are the final bastion against the tide of insanity, irregularity and unusuality!
But enough about the organization, I want to talk about each and every one of YOU!
You! You, and you, and all the rest of you! You are the fresh graduates of Project Blue Book's sniper school! The elite! The peerless! The unrivaled! For your cases, 'potential' is no longer good enough! Every shot of yours, from the first to the last, MUST strRike true to protect and steer the history of mankind from slipping into the dangerous, the abnormal, the aberrant! Any missed shot, and the world inches closer towards its doom!
You don't make it all this far without proving your worth. You've earned your badges, but don't you dare rest your ass on it or I'll come back straight out of boot camp to whip it back into shape! You hear me?!
Son, I don't give praise lightly. But just so you're aware, others in this room spent years to get here. *pats shoulder* You got places going for you if you keep this up.
Two months ago
"Wind speed low, estimated 1km/h." X shifted the rifle by milimeters.
"Unidentified vehicle sighted, suspect Authority."
"Authority agents confirmed. Agents are extracting the target."
There was a 10 meter gap between the motel door and the van.
X pulled the trigger. For half a second, the world stood still for him as everything else moved ever so slightly… before the man jerks, a plume of red mist bursting from the opposite end of the skull, shards of cranium coming apart. It was there that X's heart beat once more as all the colour in the world returned to him.
"Yes!"
"Interloper neutralized. A clean headshot. Prep for evac."
X looked back for the slightest glance, and for a moment right before the view was fully obscured by the rush of Authority agents, swore the corpse had somehow stopped from hitting the floor.
Today
X's eyes glazed over as he stared blankly ahead, looking without seeing. Hand limply trailing down the chair, clutched firmly to the fifth bottle of Jack Daniel's in over a week.
Paid administrative leave, they called it. Take a break, you've earned it, they said. X knew better. He's read the reports. Seen the pictures. A huge, gaping crater back where the Authority first tried to contain the corpse. A nightmare had begun to creep into this planet through the bullet he had fired, and Blue Book was doing everything to bureautically stall the UNAAC and the RPCA, divert attention, shift the blame, everything to hide the truth: his squeeze of the trigger under their orders may have doomed the planet.
It's not your fault! They'd say. If only the Authority would let us properly destroy the Interloper's corpse! They'd go on.
A great victory, but at what cost?
Double action. Vintage revolver. Family heirloom from the time the Wild West was ending. Passed down from his great-granpappy's hands to his granpappy's hands to his pappy's hands, and now cradled in his own.
X picks a single bit of brass off the desk and holds it up, weary eyes looking up into the lamp above. Hollow point round. Just like the one used on that day. Guaranteed penetration of the skull and destruction of soft tissue, let alone brain matter. X looks to the revolver, pushes on the release.
Click.
The cylinder chambers present themselves. Six empty black holes. The bullet effortlessly slides into one. Five empty black holes now. X Gives it a good spin, sets it back in the receiver.
Wrirrrrr. Clack.
Points just behind his temple, and pulls the trigger.
Tik.
Well then. Another few seconds to suffer.
X didn't
X opens the chamber again.
Click.
Five gaping holes, and the glint of brass shining a filled one.
Time to try again.
Wrirrrrr. Clack.
Points just behind his temple, and pulls the trigger.
Tik.
"Hrm."
Maybe one more time.
Wrirrrrr. Clack.
Points just behind his temple, and pulls the trigger.
1) Formal introduction and light talk. Dr. Roberts asks Ross how she finds the place. Ross says she's been treated well.
2) They get down to business, to discuss the terms of release of PoI-490: Jean-Henri Gasteau.
3) Dr. Roberts describes J.H.'s current condition, detailing positioning of bullet wounds, fractures of bones, stints, stitches, etc. while Ross tries not to faint.
4) Ross asks how much the billing will cost for the ward stay and treatment. Roberts says treatment and warding is free of monetary charge. Ross beams up by such an unexpected gesture of free treatment, only for Roberts to cut her off by saying that the RPCA wants something else in exchange.
"Oh. I totally had that coming."
5) Dr. Roberts begins the REAL negotiation by pointing out that usually, independently-acting individuals caught doing such a minor misdemeanour of such an act would have had all their tools confiscated and amnescitised accordingly, but because the RPCA is on such good terms with L'Academia…
6) Ross tells him to cut out the sweettalk and get to the chase. He hands a paper over detailing RPC-490 ("Jean's little friend"), but more importantly, its contents. Dr. Roberts wants more quantities of RPC-490-3, -4 and -5 for the creation of more anomalous paintings. Ross' eyes bulge and she exclaims in exasperation that these things don't grow on trees and take time and a lot of special reagents to make. Roberts insists that while the quantity is negotiable, the amount is nevertheless to be of a certain large quantity (roughly a cargo palette's worth).
7) Negotiation heats up
8) A bandaged Jean-Henri prances in, yelling "Stop the press!" in French. Ross asks how he's doing. He vibrates, saying he has seen… MAGNIFIQUE things! He says he feels very energized and inspired as his hands starts flailing, and he yells in French that he needs a brush or something to that effect.
"Mon heart… it says to PAINT! I MUST PAINT! <french rambling>"
"Is he always like this?"
"…Yes, he gets like this when he's got nothing to do."
9) J.H. tells Ross to agree to the demands, to supply the materials. Her draw drops and she asks if he's been shot in the head too. He is wounded by her remark, and mock-clutches his chest ("Non! But those cruel words, it was a shot to my heart!" "Oh, for crying out loud…"). He justifies his insane pressuring by pointing out to her that even in these cold sterile walls, the heart of art… yet beats, "C'est magnifique, non?" as he slaps a whole pile of crude pencil drawings on the desk.
10) As it turns out, RPC-490 had been surveilling all the times it's been taken out for art, and it surreptiously made sketches of authority artists using its materials to paint portraits, landscapes, environments, scenes, backgrounds, poses, so on. J.H.'s heart is ignited back with the gasoline of life as he sees such potential for artistry within the Authority themselves, and insists the materials will be put to good use, to inspire the heart and mind and imagination and soul and c'est magnifique, no-"ALL RIGHT ALL RIGHT JEAN STOP YELLING IN MY EAR!" *grumbling noises*
11) Jean pirouettes to Roberts, and offers him a new deal: he will pressure and do his damndest to fulfill the request stipulated in the terms, but on one condition: that he gets to keep "mon petit ami" (the toolbox) and "le petit rapscallion" (the trowel), pointing out the toolbox only attached to him and the trowel is nothing but trouble, non? Roberts rubs his chin, and supposes he could work something out with the higher-ups. "MAGNIFIQUE!"
12) Jean puppy-eyes Ross as she remembers why she's so glad to see the back of him every time he leaves the academy doors.
"Fine. FINE! Three-quarters of what's written down and not an ounce more!"
"Magnifique! Voila! Bravo!" Ross rubs eyebrows in exasperation
13) Jean gets to leave with the toolbox and the trowel. Everything else is inconsequential and can be replaced. Roberts warns him to not do this again, citing the fact that PBB filled him with 18 bullet holes and it was a miracle he survived. Jean promises he'll be more discreet with his activities.
Conclusion: RPC-490 is recategorised to a collection of anomalous art materials, no longer including the toolbox and its trowel.
Jean and Felix meet up for old times' sake. Jean (pronounced by Felix as "Jeen", as if in the blue pants) and Felix (pronounced by Jean as "Felipe") - the mispronounced names being friendly jabs at each other back in the days they worked together in Amazing!Co's marketing team. While straying from their original bonds they still want to improve the world - discussing their flaws and their merits of their changed beliefs. The conversation grows heated, almost hostile even, but it cools down just as fast. Food is ordered.
Jean asks Felix how Esbeth is doing. He admits he never felt any offense at how her art piece made him so very ill, and expresses amazement that she had made something so unique and so beautiful. He is saddened to know she's gone on a darker path of anger and destructive vengeance towards a society that wronged her so, and asks Felix to guide her as a father would. He shrugs and says he doesn't know if he can do it all again, after losing his own kids so long ago.
A group of people gather together, having received invites by a strange french man. They all find out they have different talents, but united together towards art.
A painting descends unto the stage, hanging by a rope. As the back of the painting faces the audience, the man within steps out of it to their amazement. They think it's a magic show! The man takes offense to the word "magic", saying that is the trade of tricksters, and that nothing here is a trick. It is… L'Academia.
He shows the crowd wonders with the things in his toolbox. And he sits calmly as the doors burst open once more and Project Blue Book storms the place again.
A female operative walks up to him, smug that she gets to finish off what her screwup partners failed to do months back. She plants a pistol on Jean's head and pulls the trigger. POP! Goes the pillow as the doll flops over. The scared crowd gasps in astonishment as Jean steps out, clapping his hands and thanking the assistance of his stage hand. The female operative gets pissed and brandishes her gun, assuring him and the crowd that this is NOT an act. She and her team point their guns at Jean-Henri and once more squeeze their triggers-
"Such acts of stalety!" and with the clap of his hands, everyone except the squad leader gets sucked into conveniently-positioned trap paintings. She looks at him with a grin as if Christmas just came early, and cocks her gun.
"You just signed your death warrant!"
"And you just earned first-class seats to the front of the show, madamoiselle~" JH's toolbox skitters across the stage with the last empty portrait strapped to it, and she gets sucked in as she goes all "NANIIIIIIIIIIIIIIIII-?".
The PBB operatives start banging fists on the screen of the paintings they're now trapped within, shooting, beating, stomping etc. as he tells them to "behave!" and forces them to sit along as new members of the audience as he daintily resumes his painting session among the whispers of the amazed crowd.
"And this streak of red! Does it not suit the radiance of your face, oui?"
*muffled REEEEEEEEEEEEEE-*
In the raid upon Site-089, salvation comes in the highly unlikely form of 494.
Masuda's younger spirit approaches a withered Hijikata in the nightmarescape of Nagasaki's ruins, and motivates him back into a more energized and youthful appearance. 494 breaks free in the wake of the Tengu-wrought devastation across Site-089, and begins assimilating corpses of slain RPC personnel.
A new and reformed 494 is seen barreling towards the screaming survivors, only to seize and hold the gates open. Within the nightmarescape, hundreds of RPC personnel are given a second chance to serve, and everyone is straining with all their might to give the living a few more minutes to escape.
494 stays behind, and heightens in radioactivity as it engages pursuing Tengu from cutting down the escapees.
"Oh, so this is how Nagasaki looked! Just like Hiroshima, I suppose…" *arms behind back, waving foot ahead of self with each step taken*
"Who are you…?"
"You don't remember me, Hijikata? I suppose it's to be expected - I've changed so much in the following sixty years haven't I! Ha!"
"Masuda…Masuda-taicho!? Why? Why did you come back? Why are you even in this nightmare? We never killed you and… and ate you!"
"I willingly came back from beyond! Let's just say I made a deal over there. I owe these fellows a favour for what they did to help us all. Can you not hear the sounds of combat? A war is going on!"
"We are soldiers and we are needed once more! Pull yourself together, Hijikata! The time to conscript is now, and we are surrounded by many willing recruits in need of a second chance! Will they be given it, or will they denied!?"
"I understand, captain!"
"TOGETHER NOW! PULL! And don't you dare let go until the last survivor has left!"
"Hold back! The monster shall finish them all."
"Wait! No! What is it doing? The gate-it's letting them escape! It is allied with the humans and their sympathizers!"
"Destroy the abomination! What is but a bag of bones before the might of the Tengu Empire?!"
Put here because I'm not going to make yet another sandbox page.
MST Mortis-1 "Bone Wardens"
Mortis: the designation for undead/"Mortally challenged" personnel capable of serving the Authority in a form of continued post-mortem life.
Mortis-1 is a makeshift ragtag team of non-departed personnel now living in and operating the new RPC-494. Mortis-1 personnel consist of whoever chooses to remain without moving to the afterlife; researchers, CSD-class, MST operatives, and various other personnel.
Mortis operatives act as 494's pilots, as well as chaperones/counselors for newly expired personnel fed to 494, as well as prison Wardens and interrogators for dead enemy GoI personnel fed to 494.
"Hunger" is managed by realizing it as a subjective state of mind; ghosts collectively inhabiting a clumped bunch of bones no longer actually need to eat. Nevertheless corpses are drained of blood in the process of integration, some sort of habitual tick of the 494 construct that does seem to revitalize the environment within, albeit temporarily.
Masuda's spirit resides in 494 as well, saying he will spend as long as he had lived in shame (a few decades), and hints that stubborn Hijikata may return and take over his stint by that point.
Jace gets her ovaries pushed back into her, with a bit of help from Juniper.
"Hands off the table. Don't touch anything."
"P-please, doc! You gotta help me!"
"…What are these? Why did you give me ice cubes?"
"My ovaries! That Esbitc-Esbeth pulled 'em out and kept them in the freezer to preserve 'em! I finally go'em back, please pu'em back inside me!"
"That's NOT how you preserve organs!"
"Well fuck! What the fuc' am I su'posed to do now?!"
"Wait… wait… I can tell that Miss Elizabeth left a message for me in this… Oh. I see."
"What'd she say?"
"I bet you can't fix these. Why that little… sSssssssSSSsssssssSSSSSSSSS-camp."
*grabs lab coat* "Get on the table. Now. Break anything and I'll be inserting other experimental organs inside of you."
"S-shit! Okay, okay…"
"Bite on this. Clench these. Insertion in three… two… "
"W-wha?"
"One…"
"Wha?!"
"Go."
"AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA-"
"You should be grateful your boss did this. Thanks to that… challenge… of hers, you've gotten a brand new regenerated set of ovaries. Completely free of scars, even."
"Scars?"
*rubs eyes in irritation, remembers she's talking to an idiot* "Scars, yes. Your ovaries scar up a little more as it degrades with each menstruation towards menopause. Thanks to this brand new set, your own menopause has been delayed by…" *squints very hard at Jacinda* "…at least slightly less than ten years. Assuming you live that long."
"Woohoo! Thanks, doc!"
"It's Doctor."
<Test fire.>
"AHAHAHAHA! Is that all you humans have to use? Fireworks?" "What the hell are you all screaming at-?"
<Results satisfactory. Initiate maximum deadly force.>
As if a thousand thunderclaps went off at once
"AAAH! WHAT WHAT IS-"
With each advance of thick hardened boots, more bodies collapse across the floor
<Stinger missiles.>
<Napalm.>
"Jigoku's fire! I burn! Someone help!"
"There! There are less of them there, we have to swarm them and escape!"
<Prey has fallen for the bait. Commence orbital strike.>
"Aaaah! The sun! The sun is falling down on us!"
"Oh Amaterasu! Spare us your wrath!"
"No! No! I don't want to dieeaaaaaaaaaaaaaaa-"
<Majority of unusuals neutralized. Begin cleanup operations. Excellent work, everyone.>
"Sisters… Sisters…? Please get up, say something… Aaa… aaaa, AAAAAAH!"
"Sir, this 1900s model refrigerator is shivering."
"And? The cleanup saw you're given can shear through granite, let alone flesh and bone! Finish the thing off."
"Sir, Authority agents are exfiltrating with a few detained Unusuals."
"Hah! Let them have their souvenirs. All of humankind has won this very day! Whatever few miserable scraps the Authority runs off with, I'm sure, will spend the rest of their miserable lives in terror knowing what we truly are capable of!"
"Oh! Oh! So many wonderful presents! Like a child with Christmas presents, this feeling of mine! So many new specimens! So much new bits and pieces to cut and prod and incise and… But wait… There is no… Where is the crow man? Are there any? Hello?"
"Bah, no matter. I'll get the truth straight out of your brains! Do living objects like these even have a brain? No matter! Finding out is part of the fun!"
"How… how scary humans can be now! Hnf… hnf…" Limping away, clutching at shrapnel wounds on leg and arm.
"But it… matters not! I'll just make another Hyakki-Yagyo! My subjects can just make more Yokai me to lead! The Yokai will never be truly wiped out! We will rule the night that we parade through once more, just as we always have! Maybe I'll lie low for a decade… That should give enough new subjects to march with…" Runs into Mishio, silently standing there and staring at him.
"A loyal attendant? Good! Good good… Tend to my, my needs… Get me a chair! A cart or anything… Get me out of here." Mishio does nothing but stare silently at him.
The old man turns around and waves an arm dismissively. "Argh! Don't just stand there you stupid fox, do somethi-HNK…ing?" Looks down very slowly to see the tip of a knife sticking out of his belly, red blossoming around its path.
Begins shivering madly. Turns around very slowly to behold assailant, knife is ripped out and flies across his neck, causing a spray of blood as his vocal cords are sliced open.
"HRRRAAAKK-HHHUURRRKKKFF-" Falls on his back and tries to shield face and self, tries to push the kitsune back as she falls on him in cold fury, stabbing. Over, and over, and over, and over, and over, and over, and over…
It wasn't until the knife was rammed straight through one of his eyes with a sickening crunch and brutally twisted that his flailing arms finally fall limp and hit the floor.
A bloodstained Mishio pants wildly, the cries of dying Yokai and the whine of bonesaws roaring in the distance. Slowly gets up and staggers away, flinging away the knife. Only one thought fills her mind: protect her sister. Protect her family.
The Tengu discuss their phyrric victory over Site-089
What is the meaning of this, Master Enozo? Our sources have come back; Japan is no longer ruled by an Emperor! The people merely pay lip respect to the feeble pretender upon the throne!
The true power lies in this gathering of commoners, this coalition called a… "government"!
Irrelevant! The Crysamthemum shall still be mine to rule upon! The humans will be made to remember what true rulership is!
Those of us who aren't dead yet are vomiting blood, shedding feathers and hair, falling apart over this illness of "radiation"!
We were supposed to be dominating the humans! But, this battle against the humans and their pet skeleton cost us dearly!
Calm yourselves! Small setbacks are to be expected in times of conquest!
Small? The human doctors have informed us that sterility is a consequence of radiation sickness! How are we to subjugate and conquer the cattle when we are outnumbered thousands to one in Japan alone? You have condemned the birthright of our species!
I SAID SILENCE.
PROLOGUE:
Saeko and her friends are driving down the road at a high speed. School is closed because of a chickenpox outbreak. Everybody is laughing away, except for Saeko.
The boys are complaining to her about how bored they've grown bored of "using the same meat" - referring to Honoka. They want to move on to another girl-to the "Meat"'s friends. Saeko mumbles under her breath to tell them to be patient and to absolutely destroy "that bratty upstart" first.
The girls laugh at how Saeko ruined Honoka's father's livelihood and how they drove him into alcoholism and sent him the photos of Honoka's rape, despite Saeko telling them not to and only to retain it as blackmail material (they ignore what she says). They egg Saeko to pull strings to ruin the mother's grocery store next.
It's clear that Saeko is hanging out with vile filth controlling her, both boys and girls. Sitting in the center of the car, Chiaki and Kirie by her sides, Ase and the other guy at the front, she is metaphorically and physically trapped and she realizes it.
The delinquent underage driver horns at a lady that the car races past, who was strangely, calmly standing by the roadside. But Saeko doesn't notice that. She's too busy begging for this nightmare to end. She desperately wishes for it to all stop. And, as that bystander is known to do, her wish winds up getting granted in a horribly monkey-paw way.
Another car comes speeding down the road. Neither slow. Both cars go faster as the brakes fail and the wheels slide on the road, laughter turning to screams. The cars collide and tumble down the hills.
There is crying and whimpering. Someone's bone is sticking out of their skin. Limbs hang limply from broken tendons.
Through her blurred vision Saeko barely makes out a fox calmly seated and observing its handiwork, all four tails slowly swaying in the air.
Satisfied at the brutal and bloody spectacle, it gets up and leaves. Saeko blacks out into oblivion.
END PROLOGUE
Tap-tap-tap.
No way. It couldn't be.
Tap-tap-tap.
There's only one being who'd do this sort of thing-
Tap-tap-ta-"AIEEE!" Crashes into bushes below.
Knock-knock-knock.
"M-Mishio… I told you to just knock on the door like any self-respecting individual-"
"Ah, shut it."
Knock-knock-knock.
"Hello?"
"Hey, kid."
Honoka freezes at the sight before her - those two pointy ears atop oak-brown hair, the 4 tails waving about from behind, that smarmy lackadaisical smirk, her hair a tangled mess of leaves and twigs, just like the last time.
"…Mishio!" Honoka launches herself into a surprised kitsune's arms, hugging her tightly. "You're… you're back!"
"Hey, hey! Didn't think I'd be missed this much-Now, um, I need to ask a favour of you…"
"What is it? Anything!"
"…if you could host my little sister…" Pulls at someone clearly hiding behind the door. It seems to be stuck. She pulls again.
"Oi. Shiomi. What are you doing?"
"T-this isn't right, I've been in hiding for so long, I can't just show myself so brazenly, p-please give me another five minutes to collect myself-"
"What the hell are you saying, Shiomi? Two hundred years older than me and you pick now of all times to act younger once more? Stop being a- Stop being a- ACK!"
CRASH!
"…Hello."
Shiomi quickly gets up and bows politely.
"I apologize for the intrusion and entrust myself to your discreet care."
Honoka gasps as her eyes widen at the graceful sight bowing respectfully. Then she realizes something doesn't quite add up. Honoka looks left, then right, then left and right and left and right.
"…are you really her younger sister?"
"HOW CRUEL!"
"Are you really Mishio's sister? You seem so… so… Different."
"Yes, I am."
"Such a clean room. You have a very ordered heart, Honoka."
"T-thank you."
"And where did my sister stay during her previous stay here? In your house?"
"No no! She lived in a cardboard box in an alleyway…"
"And did you clean up for her? Hehe, no need to say it. The look in your eyes says it all."
"Did you know? I was the one who would always clean up for her. I would always pick up after the bones and the sticks and rubbish she left behind… But I was also such a scared little fox back then. I would cry and beg apologies to anyone who was wronging me. I cleaned up for Mishio, and in turn she protected me and fought battles on my behalf. And she would tell me to learn to stand up for myself! While, I told her to learn to tidy up on her own!"
"And then… the vanishing. Everyone vanished. I was all alone. I had to fight for myself, then…"
"But Shiomi-san. She is back!"
"Yes, and she is messy as always. Just like back then." Shiomi giggles.
"This is the thing I notice about you filthy humans: You're always sorry only once you finally receive your just desserts."
"Your daughter is under my protection. I don't know if you will ever walk again, let alone strike, hurt or violate her… But if you ever somehow manage to, I will be there in the shadows, waiting."
anyways, tl;dr, Mishio finds out her previous charm was destroyed, is shocked about it and mutters about how she has to work around that "no aggression" thing. She then pays a visit to Saeko's household to put an end to the deposed bully queen, only to find out what a pathetic state she's been reduced to.
Saeko's own past gets revealed - having lived in a powerful and influential family all her life, but always being put down and regarded as insignificant and of no worth. This resulted in a crippling inferiority complex that she desperately wanted assuaged by being recognized as someone of worth - no, just even someone
even as a bully, Saeko herself was clearly suffering.
she became the queen of the bullies, when in truth they were using her for her money, her networks, her privileges…
she recalled the day of the crash, how everyone was gloating over Honoka and how the girls were coaxing Saeko to command them to do "braver" stuff
she recalled right after the crash, as screams and gurgles rang out among the wreckage, how she saw a fox calmly watching them all before leaving… This vision haunts her every dreams and nightmares.
Months later, Saeko remains bedridden. She has nerve damage and can't move properly. Rehabilitation will take years.
The caregiver paid to tend to her bed pan, dress her up and feeds her has been more of a mother to her than her actual mother has all these years.
When her father finally came back from his business trip, he took one look at Saeko in her hospital bed, said "OK", and left for the next meeting.
All these years Saeko grew up in absolute financial comfort, but was starving of the soul. Barely regarded as much, always put down as the least-ranking member of the family and no parental input going into her life, she desperately wanted to feel like she was in charge of something - to be a leader, rather than a follower.
Her money attracted others at first. Her aggressive and dominating attitude kept them from leaving.
She quickly learned to repeat this cycle of baiting and snaring followers got her the validation and leadership she has craved all this life. She quickly became a queen bee.||
Then came that… That do-gooder. That little brat, Honoka. Believing in justice or righteousness or whatever. Standing up to her in front of everyone else. Challenging her image and standing.
Becoming a prefect, taking up kendo, sticking her beak where it shouldn't belong…
That was the last straw. She had to do something, anything to protect her standing.
She was nauseated at first hours after the first ordered rape, but over time began to increasingly justify it, especially under the arguments in her house over which parent was cheating on the other, financial difficulties or being hostile with each other over bad school/work incidents.
She aggressively flaunted that she was untouchable, and many began to fear her. But then the accident came.
Now her lackeys abandon her, calling her vendetta against Honoka stupid, sick of her orders via phone to continue bullying Honoka even as they suffer curses when going after her.
As the caregiver turns off the light and leaves, Saeko weeps because she finds herself all alone, a nobody all over again.
All alone except for the one last thing that unconditionally loves her and won't leave her side - her dog. A pomeranian gifted to her many years ago, back when the household didn't feel so cold.
In the darkness no one can see her cry - she is finally forced to reflect and wonder where it all went so wrong. She curses her parents for not even showing the slightest bit of concern for her, because a part of her was desperately hoping they'd finally come back and be with her in this time of pain.
her dog starts growling. The door lock turns. Saeko looks around but sees nobody. A lump forms in her throat as she grows scared. "Is someone there?"
a voice answers back.
*"This is what I hate so much about you humans - you're only sorry after you receive your just desserts."
a silhouette by the moonlit curtains - but how? Who is this who got past the guards?
"Does this refresh your memory?" asked the figure as four tails waved behind her. Saeko's eyes narrow in shock as the memory came flooding back - the screams, the crash, the broken dangling limbs, her whole world turning upside down at the swaying tails of a four-tailed fox. It was her.
Saeko was about to scream for help, but it was as if the figure anticipated in advance. "You can keep quiet, or you can see if I could curse you ten times over in the time it takes you to call for help."
"M…Mishio, there's a dog…"
"What, that tiny pipsqueak? After all the oversized brutes you've had to live under?" <to dog> "SHUT UP."
the dog quits yapping, but it did manage to catch the caregiver's attentions who tried the door, found it locked and asked if Saeko was okay there. Silence, seems to walk off.
"I heard you were still causing trouble for a certain girl, even while trapped in your house?" Saeko stares in dumb shock, then begins breathing rapidly in panic as the first silhouette advances towards her, revealing four tails trailing behind her.
"Your shattered body wasn't enough of a hint? Do I need to do more?"
"Mishio, please, that's enough, she is in pain."
"Was it enough for her when she had her minions abuse, beat and even rape the other girl that you met, over and over, and ruin her family's life?!"
The dog starts yapping once more as Mishio gets close.
"What is it with you humans and your need to dominate and destroy others? People like you sicken me."
Mishio seizes the dog - a small pomeranian - by the throat. "At least there's one thing that seems to care about you here. How would you feel to lose it?"
"Please - don't…"
"Funny you say those words, the very same she said in the school shed! You didn't stop then - why should I?!"
A key is turned in the door lock and turned, and the door opens. It is Saeko's parents.
Mother: "We are not accepting guests! If you are Saeko's friends, you should-leave?"
Father: "Who are you, how did you get in here at this time of the night?"
Mishio: "These are the ones responsible for your upbringing?"
Shiomi: "Mishio! We shouldn't be seen like this…!"
Mishio: "You told me yourself that everything has changed, Shiomi. To hell with the old ways!" <Casually tosses dog back onto bed. Dog runs into Saeko's arms, shivering>
Dad: "You… You're that Fox Witch! What do you want from us, money?"
Mishio: "I get everything I need from your extremely wasteful discardings and my sister probably has more money than the two of you combined, do you really think I came all the way out here for cash?"
Shiomi: "I'm not actually-"
Mishio: "Not now."
Mom: "This is insane! Dear! Who should I call first, the police or-or the priests-ah!" <phone sparks and fizzles out>
Mishio: "Oops. There goes your phone. Think about yelling or running away for help now, and that will be the least of your worries. Now get in here, and sit like the dogs you are."
Shiomi: <resigns to situation, sits on a chair, begins gathering stationary materials> "Please do as she says. My sister can very… honest with her threats, when sufficiently angry."
Mishio: "Was it all true, humans? You let your daughter get away with everything she did. The abuse, the terror, the pain she inflicted, the lives she defiled, twisted and ruined…"
Dad: "We were ignorant of her actions. You cannot assign blame to us."
Mom: "We have already made apologies and provided recompense. It is all water under the bridge and no longer to be spoken of."
Mishio: "What are you talking about? Your daughter continued to have a junior raped and her family's livelihood ruined for going against her, for calling her out as the monster she had become. She became a monster and none of you cared to notice or address it."
<Saeko turns away in shame>
Dad: "It matters not in the grand scheme of things. Our businesses, reputation and standing are more important than a few scuffles and incidents in a town."
Mishio: "…What are you talking about? Are you really valuing saving face over the lives of others?"
Dad: "Absolutely. Money and power are tied to standing. Whatever our daughter did were mere expenses for us to hush. The profits we generate through our businesses go back into supporting the local infrastructure and province."
Mom: "What we must sacrifice in exchange of what we do is a topic that is far more complicated than your petty notions of black and white!"
Dad: "Furthermore, why are you even concerned? You should not be, as you can clearly see how as she is unable to continue such immature acts in her present state. We shall also make sure that she is no longer allowed to be seen in the public light in the way that she is, nor interact with others. It is tragic, but it is what it is. Shikata ga nai(It cannot be helped). Our image must be preserved, at all costs."
<An aghast Shiomi glances at Saeko, her own head bowed down and her eyes shrouded. Tears are pattering on Saeko's lap.>
Mishio: "I was wrong. To think that this girl was behind everything…"
Dad: "Wha- <fist immediately flies into his face> -oouuuuuuuuuuu-"
Mom: "Dear!" <gets slapped down to the foor>
Mishio: "YOU ABSOLUTE PIECES OF ROTTING COW SHIT! I SHOULD HAVE MADE SURE YOU WERE BOTH IN THAT CAR CRASH AS WELL!"
<Mishio proceeds to repeatedly assault the two, breaking dad's glasses into his face. She moves too fast to be blocked, and whatever parts of their body they shield leaves another part exposed for her to kick/strike at.>
Mishio: "I'LL BURN DOWN YOUR FINANCES AND YOUR SO-CALLED WEALTH! RICHES AND STANDING? DON'T FUCK WITH ME! I DON'T CARE HOW LONG IT WILL TAKE! MAYBE, AT THE END, YOU'LL FINALLY LEARN BACK SOME DECENCY AS PAUPERS WITH YOUR FACES SHOVED IN THE DIRT-"
Shiomi: "Mishio! That's enough!" <restrains her sister, Mishio flailing, tears of anger>
Mishio: "WHAT'S THE POINT OF MAKING A FAMILY IF YOU CAN'T EVEN LOOK AFTER THE ONE WHO WILL CONTINUE EVERYTHING ONCE YOU'RE GONE?!"
<Crashing noise as side-table/IV rack crashes to the floor. Everyone looks to Saeko, who had fallen with the lot after forcing herself off the bed.>
Saeko: "Please… please stop this…" <trembling violently while attempting to bow on the floor> "I don't - don't hurt my parents. Everything that happened at school… I taught myself how to rule over and harm others. I wanted an image of my own! I-I wanted to be someone important! I fell in with the wrong crowd! I just wanted to be recognized! I just wanted to be someone, someTHING!"
Shiomi: <sees bloodstains spreading across bandages> "You're bleeding. Your stitches are opening up!" <lets go of Mishio, attempts to lift Saeko, rebuked> "Help me get her back on the bed, now. Where is the medical supplies?"
"Hands of a nurse."
"A gift granted to me by other humans, from a time of great suffering."
Saeko: "So what if my parents neglected me and never showed me any love ever since I stopped being a kid? They didn't encourage me to become what I am now!"
Dad: "Saeko…"
Saeko: "So please, spare them! The only one here who deserves all the punishment is me! I could have become anything else than what I chose to become! I could have joined the student council! I could have worked the local charity! I could have-could have-could have- <breaking down>"
Shiomi: "You were a victim of circumstance as much as you were guilty of making others suffer. But you recognize both, and that is the first important step. Come back to the bed. You need treatment."
Saeko: "(repeats 'I'm sorry') Thank-thank you…" <crying, covers eyes>
Shiomi: <grabs medical supplies, treats Saeko's wounds as quickly as possible from a sudden return of muscle memory from her time as a nurse in Hiroshima> "It is not I you should be apologizing to. <To parents> There is much in your house to suggest it accommodate guests well. But a home should be the most accommodating for its resident family, shouldn't it? I will not profess to fully understand what caused you three to drift apart, but the time is now for all to come back together. Your daughter is crying for help. Both of you loved each other very much to create her, you must find it in you to unearth that old love and save her from the brink of breaking beyond the point of no return."
Mishio: "Shiomi - you're being too kind to these humans! All their callousness that trickled out this house to harm others-"
Shiomi: "Mishio. Please. You have already made your point. Look at all of them…"
alt: tight slap - I forgot the details though, god damn not typing it down when I had the thought of it…
Shiomi: <To Saeko> "And as for you - you have built a most terrible mountain of your misdeeds. Now is the time for you to climb the monument of your sins, if you desire to change for the better. I do not profess to fully understand everything that led to this point, but it is never too late to change for the better."
alt: You have leapt down a deep and dark pit, but know that it is never too late to begin climbing. And so, your climb begins now. It won't be easy, you have made it so. But persevere; not for my sake, but for those you have wronged.
Shiomi: <gives healing charm> "Hold onto this. A small token from me to you, the least I could do. I am not doing this purely for your benefit, mind you. I am doing it so that you may begin to make amends with the ones you have wronged, sooner. Do not squander the faith I've placed in you from watching your humbled display."
In the end Saeko forces herself to get back into school on crutches. A shadow of her former self, but for the best.
Her family has chosen to care for her and actively spend more time by her bedside in exchange for lessened pay.
Her lackeys have abandoned her, but one or two are still loyal enough to help carry her bag and books
She is driven to school by her parents. Her father announces that he will concede the Diet seat to his opponent, and settle for a less prominent role in Miyazaki District's local governing body, and that he promises to be back by dinner at latest.
"You know, Saeko, you've always been such a touch girl. Why, the last time I saw you cry that much, it was when I gave birth to you."
"Is that a metaphor about rebirth?"
"I think we were all reborn that night. I just wish mine didn't involve such a pummeling!" Dad laughs.
"Saeko, we're here. I should help you out."
"No! I… I have to do this. On my own. Now is the time to begin these first few steps, in this way. I promised the fox-witch's sister that much."
She tried to approach Honoka. She was given a disgusted glare and walked away from.
some classmates start acting up and they decide to pick on the "fallen queen" that had lorded over them until now - Saeko is defended by none other than Honoka
she finally takes this opportunity with Honoka to let her know that she really wants to improve for the better, showing Shiomi's healing charm as proof
it's going to be a difficult climb for these two, broken in body and in mind, but… yeah
the end for now.
Delinquent 1: "Damn it! Saeko's now hanging out with the same loser she had us hit and prank all the while. Is she still our boss or what?"
Delinquent 2: "Forget about her. She's no longer the 'big sister' we were under. Car crash changed everything."
Delinquent 1: "Well what do we do now? We find a new boss amongst ourselves?"
Delinquent 2: "I don't know. I was going to get my big brother to come over and chill with us, hook us up with better stuff than these cigarettes. I've been trying to contact him but he hasn't picked up his phone lately. It's odd."
Delinquent 3: "Did you hear? The newspapers said there's been a lot of fights in the Yakuza lately! Maybe your big bro was in there?"
Delinquent 2: "Shit! You bastard, are you saying my bro's been shot or something?"
???: "Knowing how the Night of Slaughter went, it's more likely your big brother watched as his intestines got ripped out, or was screaming for mercy right before his head burst apart on the floor from a hundred meter drop…"
Delinquent 2: "What the-"
???: "…Burst apart, like a carelessly dropped egg…"
Delinquent 1: "Temeee, who the fuck are you? What uniform are you wearing, you're not from a school here!"
Delinquent 3: "What the fuck is that black skirt and uniform, are you cosplaying as a Sukeban from the 1970s? No one wears that shit anymore!"
???: "Are you the local gangsters of this town?"
Delinquent 2: "What's it to you? You thinking to take over the town or something?"
???: "As a matter of fact…"
<various other ???s begin moving in just as they suddenly appear across the walls and tree branches and so on, each brandishing an array of vicious makeshift weapons - nailed baseball bats, chains, crow(ha)bars etc.>
???: "…yes."
an image of what happens afterwards:
the speaking ???, a Tengu girl in Sukeban (delinquent student girl) outfit, squatting on the ground, idly inspecting lighters and cigarettes
while several blood-dripping hands are dangling down from above, hanged bodies from trees
"I am Jirumo, Devourer of Legends! I have supped upon the marrow of Momotaro, and picked my teeth with the spine of Kintarō! Abandon this fight now, or proceed in proving yourselves worthy of my cooking pot!"
"The act of destruction is as much a work of art as is the act of creation. A dance of the static and the still into rubble and ruin, a unique performance never to be repeated once more!"
But the cleanup's a bitch though, Ji.
"HAHA! You are not wrong there!"
"We are all puppets dancing to the strings of the Kami in their theater, acting on behalf of their entertainment!"
"I fight and kill because it is simply who I am! You struggle, fight and die because that is simply who you are!"
"Whether it be out of terror or heroics matters not! The rush in your flesh seasons it all the same!"
Mmm, yes! My finest adversary, my best enemy. I shall season you in combat. Through rage and bloodthirst and fearlessness, I will age you like the finest wine. Become the hero of your people, an unbeatable champion amongst your kind!
And on the end of our hundredth duel, I shall crack you open and make your flesh and marrow into the finest cuisine, the meal of champions! You will be rendered legendary in both deeds and taste!
HAHA! You are entertaining, little one. Very well! You may have a portion of my food. Try the calf! No? More for me, then!
Hrrrr… It is not often that I encounter a human who devours others of their own kind. But a conversation of mutual interests is good for the soul. Very well! I shall impart my culinary skills upon you. Listen carefully!
Now now! There is no need for insults! The heat of battle shall judge your delectability soon enough!
"So. The old bastard is finally dead."
"Is his death going to herald some kind of apocalypse?"
"No, no, nothing like that. It's just… after all the effort my kin spent in pursuing him, he's finally dead? It's surreal to think about that I could simply reach out and touch him now. Like so."
"Oh, phew. You knew of him?"
Omitsune snorts derisively. "Who didn't? His Hyakki Yakkos were by and far the talk of the yokai world. They either amounted to vandalism and hooliganism of small human towns… Or disaster and chaos across the larger ones. Depended on how many and what kind of thrillseekers he managed to rally for that particular night." The prince readjusts his healing arm. "There were only two reasons his drunken parades ended: Because of Hinode's light… Or because we, the Okami, were called in to deal with it."
"I'm guessing he always got away?"
"Always. It's almost as if the bastard somehow knew right when we were about to strike. Always drunkenly staggered off at the precisely-right moment, just barely beyond our reach. Why, if he wasn't always so piss-drunk out of his mind I'd swear he was taunting us." *snorts again* "It appears his luck finally ran out. He will trouble you humans no longer, that's all that matters now."
"Did you know anything about him?"
"Not much, but I always held the suspicion that his greatest gift was simultaneously his greatest curse. Not being able to be remembered? I think it ate away at him more than he ever dared to admit. Explains why he dived so hard into the bottle. He wanted to forget, just as much as anyone else… Ironic, isn't it?
"It's a good metaphor. Now before we leave this room, I have to ask… In his prison chamber, he was referred to as the 'King of Yōkai' on his throne…"
"Nothing more than a term of affection due to his parties. He is no true king any more than a bunch of partying American fraternity teenagers putting a cardboard crown on a random drunk youth and label him 'king'." "What? I've traveled the world and seen many things in my exile. Don't look so surprised."
"Well… It's interesting to know. But that's not the main question I wanted to ask… There was only one chair in that chamber. Are there… more of him?"
"…As far as I know, there has only ever been one, and only one Nurarihyon. If there were any others, they value their secrecy far more than he ever did. Instead of worrying about our kind, you should perhaps look more towards your own hidden leaders and the secrets they keep…"
"Is that a… threat towards our Directors?"
"It is a broad statement to all of your human leaders across the planet. But it would be fair to say those hidden leaders of yours should not be above scrutiny themselves. Nobody is infallible, remember that."
"Hello, ladies."
*Silence. One of them drops her pipe.*
"W-what is the meaning of this? How?"
"The threads, the threads spoke nothing of this! The threads fell silent of the Okami's fate so long ago! Did the Tengu not cheat fate to-"
"Spin harder! We need to divine the meaning of this, perhaps not all is lost-"
*clears throat, jorogumo sisters instantly stop their frantic activity and bow.*
"Wesincerelyapologizepleasedon'tkillus."
"Fair ladies of the web. I certainly mean no harm."
"Tell me how I die. Tell my how I lose my fight against Enozo."
"What happened to her?"
"Kyoto. The only survivor among her siblings."
"Ah, yes… Kyoto. The scream that called me home. Two centuries of wasted potential led to this. What drove humanity to require such monsters for their protection…"
"The dream… My dream that you stole and corrupted from me dies today, Enōzō."
"You could have had everything, Omitsuru! I was truly willing to share in the glory and reign with you! And yet, you threw it all away for these lowly insects!"
"You who would cheat and murder your way to Emperorhood has no right to speak of humans in this way!"
"Enozo. Do you remember what you told me so long ago when we first fought? When I lost to you? The more desired outcomes that one has in winning a battle compared to one's opponent, the higher the chance of one's failure. I lost long ago because I fought not only to win, but also to live, and to maintain my pride as prince of my clan. But now, look between us. Now it is you who fights to win, live and maintain your pride as ruler… While I now only aim to win!"
"I am not finished… Enozo…"
"I will put you out of your misery, where you lie. Then… We can continue this match… in hell…"
"That's enough, ???! You've finished him!"
"No… no…! You cannot deny me this final blow! Not now, not after everything!"
"Calm yourself. Where he will be going, Wolf Prince, he will be wishing he were in hell."
"After all he has done to antagonize us over these past few decades, all the deaths he has reaped against us, those he had tortured and slowly driven into insanity… and then, this brazen strike against our own site…"
"…You don't mean…"
"We will make sure his wounds will never heal properly. He will be crippled for the rest of his living life. He will never wield a sword, ever again. He will never take to the skies once more. He will spend the rest of his natural life rotting away in a little square hole deep beneath the Earth. He will never see the light of day, ever again. He will never hear his name, ever again. And from the looks of it, the rest of his kind has abandoned him as well?"
"How cruel of you humans. I like it."
"There is no more point to holding on. All that is left for me is a life of agony. Better to die with my dignity intact, than to waste away… I… I will move on. But not before I say the words. I must."
"The Divide is yours to shoulder now. You have proven yourselves worthy of this task. Humans and Yokai cannot coexist just yet… But, but I've seen the best and worst of humanity. You and my kind are not so different… One day, that dream will come. But it cannot be today… nor this generation…"
"It is still <breathes> too soon. Especially after what happened at Kyoto… But time heals all wounds, and fear… will eventually give way to understanding. And when understanding comes, peace will shortly follow after… Peace, between human and yokai, like spring flowers pushing through the snow… Until then, the Divide must be maintained. It must be maintained. The time is not ready… But it will be. You have rekindled that old hope within me, and thus will I move on in peace."
"I let go of my life, now. Whatever you do with my body next, I care not. But grant me this final dignity: at the end of it all, let me be one with the earth of Osaka's green fields… The grass my childhood once ran through…"
"O Prince! By your blade you have cleared the shame of our Clan's tattered legacy! And yet, you never summoned the call for us to join you in your final hour of need. We are proud! Yet, filled with a new shame that we were not present to heed your final words!"
"As it was your will to shoulder your great burden alone to your end, so it is that we must surrender the last of our long-stained pride before your resting place. Dream long and dream well of the sun-kissed fields, your highness."
"We take trust in the trust that you have placed in the humans. May the Divide hold strong once more, until the day it is finally no longer needed.
Mysterious howling at Osaka outskirts leads to discovery of feudal swords
The clan… My clan! What have you done…?
Rejoice, Omitsune! You are now freed from the shackles weighed upon you by the charlatans you consider kin and kith! I have freed you of your greatest weakness! Now, our dream continues onwards in fruition-without-opposition!
Dream… Our dream?
Indeed! Is it not the same as before? For Yokai and Humans to live together, under our rule as the Twin Emperors of Japan!
No! NO! That wasn't how it was supposed to be-
Do not be a fool, my dearest friend! I have striven with zeal to honour what you yourself preached: That one must be without weakness! You have shown me the light, that humanity is NOTHING without strong leaders… Us. And in exchange, those who would get in our way… are no more.
"What have you done… to my dream?"
"No. It is not your dream. Our dream… You have taught me the meaning of mercy! Once I wished for nothing more than the extermination of all humans! But you have shown me the light! They shall be our eternal servants instead, as is their rightful place in this world!"
"That… That was not what I meant…"
"Discard your boyish idealism and grow up! This is that which has to be done! Humans will never regard us with more than fear or hate, why do they deserve any better?! …Even now, despite all that has happened, I still consider you to be my one and true friend. A strange word for us Tengu… We can still rule Japan together, as wolf and crow! Consider the possibilities and the good that will come of it!"
…
Prince of Wolves, you must flee. I have opened the way for you. Do not worry for me; Machinations are in place to convey the impression that you escaped of your own strength.
Advisor Kuroma…? Why… Why would you help me? After all that has happened?
Because I believe in your teachings in a manner unlike Master Enozo. I… Have never been a believer in the force of violence. You have shown me the path of another way.
What hope is left for me?
Because you must endure, Prince of Wolves. The dusk to your long night may have begun, but there is always a dawn at the end-
No… No! There is no dawn left for me. Only an honourable suicide shall clear this shame.
Perish the thought, Prince of Wolves! Master Enozo's strength is derived from your prescence, alive or no! Should your corpse be found, he will wear your fur as a cape such that you may bear witness to his victories dedicated in your name, from atop his shoulders. You must escape! Not all is lost, there are wolves yet remaining…
…
"And what do you think you are doing, Omitsuru? There is nowhere left for you to go. Discard this nonsense and come back with me!"
"You have destroyed the Ōkami under my rulership, Enōzō. My family, my clan, my world and my pride… And to think, I let it all happen. To think, I trusted you! To think I believed the Tengu were capable of redemption!"
"The rest of your kind would never accept this. There is no place in this new world of ours for those who would not understand our dream… Omitsuru! What are you doing?! Do not be so hasty as to throw your life away! This offer of mine is genuine!"
"Death is the only better choice." <leaps>
"…What are you fools doing, standing around staring blankly? Find him! NOW! Sweep the rivers even if you must reach the sea! If he so much as comes to any further harm, I will have your wings decapitated and you miserable lot thrown into the human pens as one of them!"
"O Prince! We found you drifting in the waves… Thank goodness you still live."
"How… how many?"
"It is just us five before we found you, O Prince. We have escaped Japan, but I am afraid it was not without cost…"
"Haha… For the lives of twenty of those black-feathered bastards, this arm was taken in cost! I would have gladly given my other arm, legs and my head it if meant a hundred would die before me! That would have been glorious!"
"So it is just the six of us now…?"
"I believe so, your majesty. Their massacre was thorough. We may very well be the last few living Okami to walk the world, barring any other fortunate escapees."
"This was… it was all my fault."
"I beg pardon, your highness?"
"It… it was me! I trusted the Tengu… I thought I was changing them for the better! But all I did was let their treacherous selves into our sacred grounds! I let Enōzō in, and he learnt how to plunge the dagger into our collective heart and soul!"
"O Prince! You are not solely to blame! We too followed suit and went above our better judgements…"
"We are ruined and it is all because of me!"
"My Prince! Please! Now is not the time for despair! We need your leadership more than ever-"
"I AM NO PRINCE! I AM THE TRAITOR THAT ENDED OUR SPECIES!"
"Your Highness! NO! DON'T JUMP OVER-"
"Stop him!"
"I can't with just this one arm-"
"I DESERVE DEATH!"
"O Prince! Please! Abandon this madness and come back…!"
"I DESERVE DEATH!"
"We need you more than ever, your majesty…"
"I DESERVE DEATH!"
"I DESERVE DEATH!"
"I DESERVE DEATH!"
"I DESERVE DEATH!"
"I DESERVE DEATH!"
"I deserve death…!"
"… deserve…"
"… death…"
In the wake of the Tengu's disastrous re-emergence into the modern world, many are left dead, poisoned and/or reeling from the destructive warmongering mentality of their failed aspiring-emperor. Their identity, morale and culture shattered beyond repair, many have been questioning their race's position and future in this new world two centuries from their disappearance.
Some have decided to make like the Northern tribes and fully isolate themselves away from humanity, not wanting anything further to do with the potential disaster of any more escalations with a dangerously-changed humanity. Some have decided to join criminal yakuza gangs as hired muscle. Some have decided to continue working for Kabushiki Kawaii for some semblance of direction in the amoral manner of cruelty they've known all their lives. Some have attempted to resume conquest in a new direction while frantically learning the ropes, under the new corporate startup of Blackwing Enterprises.
This is the story of a particular Tengu girl who has lost all semblance of direction in her life, coming across a blind senile camera tsukumogami.
An unlikely friendship starts, and perhaps there may yet be hope for some Tengu to change for the better.
886: Um… Is it just me and this trumpet in this room?
<looks left, looks right>
886: It looks to be made of… plastic? A child's toy?
<silence>
886: Am I supposed to… play it?
<Reaches over to touch 867. 867 startles and jumps up, no longer pretending to be still. 886 also jumps back in alarm.>
867: Hey-hey-'ey! Easy on the goods, lady. Ya got me, okay? I was playin' dead fish 'cos I don't know what ta make of ya, yageddwhaImean?
886: Oh! I am sorry and beg forgiveness. Are you… Are you a Tsukumogami?
867: A su-ku-no-wha? Lady, whatever y'say that be, I ain't it… I guess? Imma songsman! A mus'ician. The Music Man. Court'sy of Sals'n'Pals! But enough about me, what's your gig?
886: 'Gig'? You mean story? My name is Shiomi-No-Sae, I am a Kitsune who…
867: Kits'ne? Eyy, you're one of 'em Japanese fox ladies!
886: Yes. Possibly the only one left.
867: Oh… Oh dear. Your whole family…?
886: Gone. Just vanished. I wandered Japan for 200 years trying to look for them. Never saw another…
867: Jeez lady, you're gonna make this trumpet weep through 'is own blowhole! And that ain't what it's for! I'm s'posed ta be the music man, 'member? Didn't them labcoat fellas say somethin' abou' me putting up an arranged performance or wha'?
886: I well… <giggles> I was told I would meet a most unusual musician. I am still surprised!
867: Eyyy, look no further! I was also told I'd be playin' fo' someone special too! So it's just you an' me in this nice acoustic room! Any requests?
886: I… The song of my people, perhaps? But you would not know of it…
867: Don' worry lady, I got it aaaall covered. Ooooh! This's an unusual piece! Definitely ain't written or touched by no human hand. But am I up for tryin' new pieces, or wha'? The answer: You betcha!
886: This is… Most unusual. But aside from my selfish request, perhaps I could ask you to then sing a song of your own afterwards?
867: That's a golden offer, honey! B'for I start, I be noticin' there's a recorder over there. Ya wanna turn it on for posterity's sake or wha?
886: Oh! Of course, I… There.
*[ Upbeat patriotic music, American military style ]*
Hello there! I'm (name), Project Blue Book's general of ground affairs. And I'm here to ask YOU a question: are you through with being afraid? Don't answer that just yet! I'm here to explain why you should even consider this!
For too long man has cowered at the shadows, at the dark things flitting in the corners, things who think themselves above us! Superior to us! Consider us lesser creatures, only worthy to be eaten or ruled over!
*[ An Oni crawls from the right side of the screen to the left, leaving a trail of guts and blood across the floor, his lower abdomen blown away. ]*
HOW… HOW COULD YOU PUNY HUMANS DO THIS…
No more! With Project Blue Book, we take the fight to those things hiding in the shadows here on Earth or beyond; things who would keep us in fear, cowering away at the dark and holding us back from our true potential!
And see why they hide in the shadows? When we put our minds, our hearts together, we become an unstoppable wave, exterminating all that would threaten mankind: the unusual, the bizzare, the monstrous!
*[ A mob of cleanup Blue Book personnel chase after the Oni, who attempts to swing its arms to fend them off and fails miserably due to its severely weakened state. ]*
GET-GET AWAY FROM ME!
Woah there boys! Hold it for a moment.
*[ The camera follows the general as he jogs up to the dying Oni, now being held down by the squad. ]*
What do you have to say for yourself, you abomination of unusuality?
I SHOULD HAVE KILLED AND EATEN MORE OF YOU HUMANS…
And there you have it! Let 'im have it, boys!
*[ The chainsaw is revved up and impaled through the Oni's eye, causing a fountain of vitreous gore to gush out ]*
AAAAAAAAAAAAAAAAAAAAAAAAAAAAA-
*<wipes away viscera from brow>* Ha ha ha! Such enthusiasm, do you think you have what it takes to join the ranks?
Join Project Blue Book now! What we do today guarantees a safe tomorrow… For all mankind!
IV! We need IV!
Are there any beds remaining?
The director is seriously injured! Be careful!
We are out of Remaon's solution!
"Futakami-san! Get a grip of yourself and help!"
"What… What do I do?"
"Fu…Futakami?" The grime-riddled nurse looked down absently towards the tag that barely hung off her chest pocket. Chiaki stopped shaking the confused nurse as a realization dawned over her.
"You… you lost your memories?"
"I… yes. I don't remember."
"Doctor! Please check on Futakami-san! She has amnesia!"
"I don't… I don't know anything!"
"Wash your hands, Futakami-san! They're caked in dirt!"
"Losing your memories must be hard, Miss Nurse.
"…You're not really Futakami-chan at all, are you?"
Shiomi froze; the words and excuses she had been trying to craft turned to ice and lodged within her throat. She had underestimated old Mrs. Saeki.
"For someone who keeps saying the pika-don robbed her of her memories, you have quite a habit of looking behind your back to make sure no one's following or watching you." The old lady guffawed away as Shiomi stared at her, frigid as a statue. Mrs. Saeki finishes her huffing and shrugs nonchalantly.
"Well, it's fine. I can see you are genuinely doing your best to take care of us. I won't question who you are, Spirit-san, but thank you for the extra pair of hands."
Shiomi felt something well up behind her throat and her eyes.
"Arigato-gozaimasu, Saeki-san."
"I lost my three sons and my husband to the pika-don. It is very surreal, almost in the realm of disbelief to think of how our entire world turned upside down in a single day."
"I know… I know that feeling too. I lost my entire family as well, in an instant. I have been alone for so long."
"How long have you been alone for, if I may ask…?"
"…A century…"
"Oh… You poor thing. I am so sorry, I can't begin to imagine-"
"She wore your uniform well, Futakami-chan. If you could speak I'm sure you'd be grateful she gave you a chance to continue helping others from beyond the grave."
"Wherever Spirit-san travels to now, I pray she finally finds not only the family that she looks for, but also the family that she deserves."
Old Mrs. Saeki turned and walked away from the wooden post, as Rn. Futakami's name tag fluttered in the breeze, gently clattering against the post.
"Oooooooooh, it's soooooo good to be back!"
"Shoot the monkey! Shoot it!"
*picks ear, pulls bullet out, absolutely unamused*
"Have you humans completely forgot who I am? Shameful!"
"I killed the Jade Emperor decades ago! What is but another God to-"
"Time out for you, sonny!" twang
"AAAAAAAAAAAAAAAAAAAAAAAaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa…"
"Oh venerable immortal Monkey…"
"Shut up with the self-preserving platitudes and get to the point."
"Lead us with your sagacious wisdom, become an appointed minister and general of our cabinet-"
"Whaaaat's this? *tilts head and picks ear frenetically* You want to make me a peach gardener again?
"…aaaaaaaaaaaaaaaaaaaAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA-" *pole-extendo-catch, jacket rips off, caught by the pants without Wukong even batting an eyelid or looking to catch*
"ARE YOU STUPID OR WERE YOU NOT PAYING ATTENTION TO WHAT HAPPENED THE FIRST TIME AROUND WHEN HEAVEN TRIED THAT?! Or, perhaps, did you burn all the books of my tales?"
"In exchange for sparing your wrath, we… we will give you… General ?. To do with, as you please. After all, was it not he who pulled the trigger upon the Jade Emperor himself?"
"You mean to single me out for all the blame!"
"Hoooooooooooooooooooo? Hmmmmmmmmmmmm. And what about the rest of you, who wanted to conquer and enslave Heaven anyway? …I'll accept! For now."
"Unhand me you filthy primate! I'll kill you!"
"You and fifty billion demons, take a number and have a seat at the back of the line!"
"What are you planning?! What is the meaning of this?! Why are we at the top of <tower>?"
"To give all the nice cameras a lovely view of what happens next! Wave and say hello while I put you down just-like-this-"
"Why are you stroking my bum? No, surely you cannot mean!"
"Naughty children need big spankings! And killing old Jadey himself? Why, that makes you especially naughty now, wouldn't you agree? Congratulations! You've earned a spanking, fit for an Emperor!"
"I WILL NEVER FORGET THIS!"
*mock surprise* "Ooooooh? Really? I COULD HAVE SWORN THAT WAS PART OF THE PLAN!" SPANK
THA-BOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOMMMMMMMMMM!!!!!!!!!!!!!!
- To Blind a God
- Ch1: Joined in Pain
- Ch2: Saving Mari
- Ch3: Walking amidst Death
- Ch4: All comes falling down
Revenge. Vengeance. Justice. Closure. Bloodlust. A band of unlikely Yokai have come together in the wake of the Massacre at Kyoto, unified by one goal: To destroy the False Eye of Amaterasu that signaled the doom of their kin during that night of unbridled slaughter. A quest into the heart of the para-genocidal Ground-Ops Division of Project Blue Book that many will not survive.
The players are introduced, found, kidnapped or extorted into play.
-Ietaru, a male Zenko (shrine) Kitsune whose Yako (field) brother chose not to heed Mishio's hysterical warnings. Said brother was flayed alive during the Massacre, his 4 tails torn off before he was brutally executed. This surviving sibling is haunted by nightmares of his brother suffering in a "cloudless void of black, yet light" and wants to retrieve the taxidermied tails (the only remnants of his brother) for proper burial and closure.
-Megumi, a Kejorou (long prehensile hair) girl who was dragged into the Hyakki Yakko with her gaggle of sisters for a night of fun and havoc-making with the humans, only to later be crying and screaming, shell-shocked in a crater of gore that was the corpses of her sisters. She was rescued by a team of RPC interceptors who raided the captive area where surviving Yokai were being corraled before becoming the victims of a particularly unhinged professor's scalpels, and in her hysterical grief she dropped the severed arm of one of her sisters that she so dearly clung onto. Heavily traumatized, initially one of the "Traumatized Spirits" in Wave 2 where all she can do is cry, cower, assault researchers with her hair, and alternate between huddling in a corner or trying to escape. When The Wounding (Tengu raid and massacre) happens, she's one of the escapees from Site-089 who then breaks off and eventually comes into this group. By this moment she's little more than a hollow burnt-out puppet that the leader then gets pulled everywhere like a puppet on strings, her base humanoid nature exploited to make her an infiltrator.
-Nonoki, A Tanuki grandfather who lost his entire family and bloodline in the carnage. Has lost all sense of joviality and become bitter and ruthless. The leader of this group, sees his - and the life of the others who join it - as forfeit. Has turned into a monster hell-bent on killing all the humans who participated in the massacre.
-An evil Yokai who didn't lose anything, but joined because it simply sees Blue Book humans as worthy prey to slaughter. Still not quite decided on what species to make this one.
Mishio temporarily joins the group in a "I scratch your back, you scratch mine" arrangement; she helps get them into Blue Book, they help her rescue a girl who previously saved her life (See: A Trip to Tokyo, still in draft). She does not hesitate to darkly remind that she warned against the Hyakki Yakko.
"I won't let you hurt the professor." <aiming pistol in shaking hands> "I won't!"
"So what if he's a half-robot weirdo who has voices in his head, likes to dance suddenly or-or any of the other stuff that he does?! He's actually taking care of us. He's looking after us. He says he wants to experiment on us, but all he ever does is a few X-rays, a few jabs, a few measurements! And look at me. Look at my body. My scales are disappearing! I'm slowly turning back into a human! I'll be able to go back to my parents in a few more months!"
"And why would you want to save that girl anyway? She lied to us all! She said there was no cure! She wanted us to join her little doomsday cult instead, turn into bigger freaks!"
"She was not lying at the time! She said what she said because she knew no other alternatives! I'm sure, had she been found by this professor instead, she would have been in a better place since long ago! She's not beyond saving, and she proved it by saving my own life! So just let me through, let me take her away to find a way to help her… I promise, I have no vendetta towards that madman…"
"…I'm afraid that you will, once you've seen what he's done to her…"
"Why? What…" Mishio froze. "What did he to do her!?"
"Through the power of cerebro digi-infusions, we have revolutionized our capability in accelerated of personnel! To demonstrate this power, we have taken this captive member of the Church of Malthus, and are infusing her brain with footage of her comrades' deaths, playing to the speed of 3 million playbacks per hour!"
Mishio froze. What?
"It is estimated that subject will experience total, irreversible cerebral remodeling after six full months of continuous playbacks! 100%!"
It had been two months.
"What happened to meeeee, where am Iiiiii, what is-what is thisssssssssss-"
"The professor, he's having a blowout!"
"Where is, where is my brotherrrrr, where is Minoruuuuuuu, save me, save me, anikiiiiiiiiiiiiiiiiiiiiiiiiieiiiieieiiiiieieieieieeeiiiii-"
BOOM! Smoke slowly comes out the professor's cybernetic skull, and he gently bends over like some sort of broken-down robot as his internal gyroscopics fail.
"Sigh. Someone get a technician down here."
With the codes and identities pilfered during Mishio's ruckus, the Yokai make their attempt to infiltrate Blue Book. They learn the killer satellite is untouchable from the ground. The new goal: go to space.
In the last desperate attempt to destroy the Blue Book satellite from within while alarms are raised, Yokai infiltrators are being massacred left and right or going down in last stands. And as for the Tanuki who attempted to to manipulate the satellite's trajectory, only to get faced down by the Satellite's commander…
"Now you see… The thing about animals is, they have the grace to recognize their place in the natural order of the world. Also, the dignity to accept it."
"But you're not an animal, are you? You're an extranormal spirit. A filthy mimic, who thinks it can walk like a human, talk like a human, act like a human, think like a human… And the moment there's enough of your kind, you inevitably get uppity about thinking how superior you are to humanity. Of how your lot should be above us in the natural order of the world."
"That's why Blue Book exists. We're not just going to cull your kind, oh no. We'll erase every trace of your existence! Ensure you miserable freaks never rise to threaten humanity!"
"Mimicking a Shaolin monk? Your flimsy techniques are nothing before systema spetznaz! And look at that! A few blows and you're stripped of your human disguise. It's almost poetic, isn't it? For you to die in your true form, within the pinnacle of mankind's might!"
"You lost your chance to overthrow us centuries ago! Never again will we be threatened by your kind!"
stomps hard enough to snap the Tanuki's spine, paralyzing him
around this time the artificial gravity is destroyed, casting the satellite's interior into disarray
"What your other fellow spirits have done is just an inconvenience. I've wasted enough time with you." He pulls out a gun and blows chunks off of the Tanuki, sending the dying raccoon propelled across the command chamber.
"Unfortunate our doctors won't have the chance to cut you apart while you still live, but I suppose your friends can make up for that. Any last words?" as the Tanuki hits the control console
One final dying look of defiance, a spiteful glare.
"Remember Kyoto."
Shapeshifts his remaining hand into the commander's and initiates the hand scan override (the panel being sealed earlier right before the confrontation, but being broken and exposed by stray gunshots) to cause a manual thruster maneuver, at the angle that the satellite had been prior manipulated towards - directly towards Earth.
The satellite burns apart. From his forest clearing the Coordinator-King of the Tanuki circuses looks up in the dawning sky, witnessing the stellar fireworks promised by the elderly Tanuki.
"So you couldn't let go of your loved ones, after all… Thank you for the magnificent sight."
He raises a drink in a mournful toast, knowing the elderly was in that satellite.
The end of TBAG acts a massive black eye to Blue Book, while the Yokai look on to the falling star and see hope that they may yet retaliate against such a monster, against such unstoppable odds.
A few souls escape a fiery death through the escape capsules - while I want to leave the survival of most of the yokai/personnel ambiguous (aside from hinting that the Kitsune got his brother's tails and may have escaped) - one I DO want to show is the Kejorou's fate; she somehow gets into an escape pod - either because she finds the strength of will to survive, or because a Blue Book personnel (who she might have befriended, even while disguised) harboring second thoughts (or didn't know she was an Unusual) pushed her into it.
She lands in America. Somewhere between Arizona and Utah.
She slowly trudges under the afternoon sun, her hair writhing under and curling under the heat. Kind samatarians in the middle of their pilgrimage trail stop by and offer her a ride to the nearest town, and she's gradually told as the journey goes on how everything happens for a reason, how loss can be turned around (they can see she's clearly lost someone(s) dear to her but don't push too deeply HOW she lost said dear people), how to move on and perhaps start a better life with a new perspective.
Kejorou are sort of like prostitutes (in fact that's what their name literally means - "Hairy Prostitute") - they're always seen as courtesans of high-ranking yokai, or they very commonly inhabit red light districts as prostitutes or whatnot. This Kejorou belonged to a family who wasn't so different, who only thought about plucking power and knowledge from the whispers and gossip of both humans and yokai… But after everything that happened to this poor soul - the loss of her siblings because of their desire for vice, the humans who either wanted her dead or protected, both who live and die just the same, and the deaths of so many more who wanted justice/revenge/closure…
She trades her species' natural habitat of red light districts for the cloisters of a church, trades the tight and constricting culture of Japan for the looser and more independent one of America, and settles down as a quiet nun in a church, baptized under a new name.
Perhaps the RPC finally manage to track her down, initially keen to get her back to a rebuilt Site-089 back in Japan to resume her psychiatric therapy for the PTSD she gained during the Massacre at Kyoto so many months ago. Perhaps they see she's managed to rehabilitate herself by the beliefs and support of this Western religion. Perhaps… Perhaps it makes sense to honour her decision to never go back to Japan. Perhaps she may get a letter of well-wishes from her mother. Perhaps, perhaps.
Spoiler epilogue
It is revealed in an encrypted exchange that the satellite's destruction was not only expected, but was planned to be done anyways by PBB's higher ups as a purge of the increasingly belligerent/aggressive pro-violence command personnel, not least the General himself. That sudden spike from a slow crawl towards an instant 100% code theft of the space travel access codes into the USB-plug Authority data-grabber? That was the real Blue Book's doing, without Mishio ever realizing it.
The fact that the satellite was instead destroyed by an infiltration of "Extranormals" seeking retaliation for the "Kyoto Offensive" (which was seen as "acceptable, if a little excessive") is convenient, as this means survivors will instead blame the Unusuals and won't turn against PBB, which they could have had the satellite been purged according to original plans. With the general and his lackeys gone, stragglers will be swiftly deconditioned and absorbed back into BB's conventional ranks.
"Let them hate us, let them see this as a win. It means nothing to us in the long run… we have loftier goals to focus on"
Then in a chilling final passage, it is revealed that the satellite's loss was absolutely negligible to Blue Book, and in fact a new and bigger killer-satellite has just finished prepping for launch and deployment. Revealing how inconsequential everybody's struggles were in the end and how Blue Book played everyone out and walked off the biggest winner in the end.
- X
- Notes on Tengu culture
- Notes on Tsuchigumo culture
- Notes on Kitsune culture
- Notes on Tsuchinoko culture
- Notes on Jorogumo culture
- Notes on Tanuki culture
- Notes on Bakeneko+Nekotama culture
From young, Tengu are raised to be ruthless cheaters and manipulators.
Tengu culture places an absolute emphasis on attaining victory in the most pragmatic and practical manner that costs as little resources as possible to achieve. "Honor" is synonymous with "idiocy" in the Tengu's lexicon. This includes killing your superiors to advance in standing - after all, it's their fault for not being careful enough.
To ensure the Tengu do NOT fall prey to their own brand of "idiocy" by uncontrollably backstabbing each other into a disorganized mess, the Code of Black Feathers enforces a sense of communal unity during times of war and conquest. Dependent upon the weight of their merits, this nets competent superiors a degree of protection and subjects traitorous punch-uppers to horrible punishments for possibly setting the collective clan/race backwards in times of conflict.
For the Tengu, there is no fate worse than death than being "earth-bound" - having one's wings damaged immediately makes one go into seclusion until the wings have healed enough to take flight once more. Losing wings outright puts a Tengu into an "untouchable" caste, no longer seen as Tengu by the rest of its peers.
The Northern Tengu clans from Hokkaido aren't as evil as the traditional ones and employ a more isolationist culture that prefers actively avoiding humans and other Yokai - but will assault and might even kill strayers into their territory, accidental or not.
"Good" Tengu or those who reject the ruthless Machiavellianism of their general culture may exist, but are extraordinarily rare and are either forced to blend in to survive, or are hermits to the extreme. Such views are not tolerated by wider Tengu society and anyone revealed as such will be harried, mocked and ostracized to no end.
Humans are generally regarded as little more than pets, servants, labor slaves, sex slaves, food, animals, guinea pigs, livestock and hunting game. Yokai who love or co-exist with humans (Jorōgumo, Kitsune, Bakeneko respectively) are barely seen as better. Most other Yōkai besides those are regarded with contempt and seen as lower than the Tengu. The sentiment is shared, with the general Yōkai community regarding Tengu as violent gangsters who are not to be trusted - fears that were validated when the honorable-yet-fearsome Ōkami were wiped out by the Tengu in an act of treachery most foul.
Alliances with other Yōkai are usually done so as matters of convenience, or that the Tengu have something to gain from it… Or because said Yōkai species (Oni) are easily manipulated. Such alliances usually end poorly for the other side.
Fūjin, god of wind, is either paid lip service to or venerated as the father of the Tengu. They care little for the others, but an occasional few may also pay respects to Tengu-fied versions of Hachiman (war) and Raijin (storms).
Tengu names are determined first as a personal name, followed by the name of the mountain the Tengu was born upon. A single mountain can host multiple clans who generally hold scorn for each other, aiming to conquer and absorb the others until a mountain is ruled by a single clan. Such a monopoly rarely lasts for long as backstabbing and politicking increases the larger a clan grows, ensuring a mono-ruled mountain inevitably fragments into several warring tribes once more.
Tengu who aren't born on a mountain identify by the next closest landmark, whether it be civilization or some other natural feature. These Tengu are usually the children of exiles, or born during traveling expeditions and war marches. Either way, they are generally regarded as second class citizens, and looked down upon.
The Tengu have a strict cultural taboo against striking one another's wings, moreso if the aim of the blow was to deliberately "earth-bound" the target. They view it as the lowest of low blows and most dishonourable of acts, which is ironic given theirs being a race of dishonour and cruelty.
Tengu have the dubious distinction of being the only Yōkai race to NOT have a permanent foothold in the Nightlands, the home dimension of the Yōkai. The other Yōkai were so sick of them that they successfully rallied to boot out the Tengu, which is why the Tengu came to establish their dwellings all over Japan's mountains. While Tengu can still visit or live within as residents, they were never allowed to have a communal settlement or even a Grandcastle of their own. Whether they ever did have a Grandcastle to begin with and that it got torn down, though, who can say?
War. Combat. Reject weakness.
Life is short. Enjoy it to the maximum.
Go out with a bang, not a whimper.
Upon meeting another Tsuchigumo, the proper protocol of greeting is to fight.
Traps and deceptions are for the weak and cowardly. Snaring with silk is only to be done as a direct action during combat.
Die well, but remember that discretion is the better part of valour.
Respect the strong no matter the size. Eat the worthy. Honour those who fight fearlessly towards the very end without ever turning their backs.
Tsuchigumo have no Grandcastle within the Nightlands. The closest they have to one is a communal fighting pit, a gaping hole in the ground where the sounds of pummeling and roars can be heard echoing for miles. The Tsuchigumo consider it sacred grounds despite its plain appearance, and it is where these behemoths meet to prove themselves worthy or to prove their innocence/conviction in addressing crimes or perceived honor-slights amongst each other.
As befitting their solitary natures, Tsuchigumo prefer striking out on their own. If a Tsuchigumo does move into a Yokai settlement, it would most likely live in the darker parts with fellow grim Yokai where curses and human flesh can be bought and traded as daily commodities.
Tsuchigumo are masters of earth and metalworks. They can pound and shape rock, dirt and crude ore into workable tools in mere moments, and the masters are extremely durable and immovable as long as they remain in contact with the ground. The better the metal (such as scrap from destroyed military vehicles), the much more exponential the rise in the tool's quality (crude appearances aside).
Human witnesses of Tsuchigumo duels would go on to be inspired to create Sumo wrestling. It is also possible that long ago when the dusk gates extended beyond Japan and the supernatural community was capable of international exchanges, a wandering Tsuchigumo fighter may have inspired the Ancient Grecian legends of Antaeus. If true, then it is also just as possible that the ancient hero Heracles slew him by lifting him in the air and crushing him to death, as the stories go.
There are no bad Kitsune whatsoever. The evil and neutral ones fled Japan long ago when Inari descended with His edicts, becoming the Kumiho and Huli Jing of Korea and China respectively. They have all been wiped out, only leaving behind the Kitsune.
Zenko Kitsune are benevolent shrine dwellers who bless and assist the worthy who pay respects before their shrines. Yako Kitsune are active punishers of human ills and malice, and defenders of the weak and the unprotected. Because of this, human misconception has portrayed Yakos as the evil counterpart to the Zenkos, despite that not being the case.
As part of their shrine binding, Zenko Kitsune are infused with an ember of Inari's flame, acquiring pyromantic powers in the process. Yako Kitsune do not gain this boon, but in exchange have total freedom to explore and roam Japan as they please, coming up with their own tricks and specialties and becoming more unpredictable to counter against.
A Zenko who severs a tie to a shrine without a suitable replacement suffers a penalty to all of its powers; both the flame and its innate abilities. On the other hand, a Zenko whose shrine was demolished against its will, and who actively resisted said shrine's destruction is not penalized - but will be required to find or establish a new shrine in order to continue blessing.
Zenkos ARE capable of leaving their shrine to go on pilgrimages or temporary journeys. There is a certain ritual/process behind it (as well as a certain minimum service rank being required to qualify), although Shiomi has completely forgotten how to do it in her two centuries of loneliness and despair (let alone not having qualified at the time).
Human superstition and folklore claim that Kitsune tails split once every century. This can't be further from the truth. Kitsune tails split on certain special milestones being met. This is easy to achieve at first, but the difficulty ramps up exponentially past the 4-tails mark. Most Kitsune who live casual and easygoing lives don't ever go past 3 or 4 tails. 5-tailed Kitsune are regarded with respect. 6-tails begins to see the Kitsune requested to be placed in a role of importance. 7-tails is seen as a mark of great wisdom or experience.
8-tailed Kitsune are regarded as prominent figures and are revered as borderline-royalty. Some say that one who achieves the 8th tail is now actively watched over by Inari. Others say that it IS Inari himself who ordains and grants the 8th tail. The 8th tail is commemorated by a title that is tied to its creation.
Contrary to popular modern-day human depictions, 9-tailed Kitsune have never been seen. They are regarded by the common Kitsune much as we humans would regard mythical figures such as King Arthur. Loose anecdotes say the last 9-tailed Kitsune was seen prior to the turn of the first millenium, and are little more than hazy memories and myth. Kitsune conjectures claim that Inari personally descends to claim each Kitsune who achieves the 9th tail. Others say that Inari IS, and will only ever be the only 9-tailed Kitsune.
Kitsune lovers aren't so quick to flee/desert their human spouses upon their "shameful secret" being discovered, contrary to ancient Japanese folklore.
There were Kitsune who actually went on to openly serve humans! Keizōbō Is one notable instance.
Tamamo-No-Mae is easily the greatest taboo name to not speak among the Kitsune. A filthy outsider born in China who whored her way into power across India, China and Japan's royal courts in order to sow chaos, war and disorder across human lands for her own personal pleasure. Allegedly the only non-sanctioned fox who attained the mythical nine-tailed status, to the eternal shame of the Kitsune. It took a joint effort between both Kitsune and humans (who never knew of the Kitsune's assistance) to put her down for good.
Kitsune do not have a Grandcastle within the Nightlands, but rather a Grandshrine to Inari. A massive statue of Him can be seen for miles to mark its location, and it is where the highest priests converge or dwell to commune with Inari, its own personal attendants sworn to never divulge the secrets of the shrine.
Wat?
Oooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo-
Hai!
Wat? Pls
<Headbobbening>
[ Gently pushes fat blob aside ] Ooo wat pls-
You do not come across a Tsuchinoko. A Tsuchinoko comes across you!
Tsuchinoko only enter a world in limited numbers. The less at peace a world is, the less Tsuchinoko can stay within it for long.
The Tsuchinoko Hills is an extra-dimensional space seperated from the Nightlands where the sun is always bright, the grass is always green, and food is always plentiful. The Tsuchinoko roughly ape out Japanese culture complete with hats and costumes while living happily.
Only very evil/reprehensible beings can drive a cornered tsuchinoko into delivering a loaded, venemous bite. Nothing appears to happen, initially… Then a childish tattoo forms at the bite mark of an angry tsuchinoko face. Then, assorted comical and serious disasters begin happening as the victim turns into a gigantic bad luck magnet. No charms or protections can counteract the bite of a tsuchinoko. The only way to cure this metaphysical poison of the soul is to earn the forgiveness of the very same tsuchinoko who dealt the bite - which, for an individual so evil that it got bitten to begin with (along with this nature normally repelling tsuchinokos), might as well be quite impossible to pull off.
Jorogumo are NOT man-eaters. They value their spouses dearly. They carefully pick those who would not be revolted at their arachnid features, as well as being capable of managing the children, human affairs, and also running interference on concealing their otherworldy nature. The "meat-eating spider succubi" image was due to human superstition conflating them along with two other spider yokai species who DO eat humans; Ushi-Oni and Tsuchigumo.
Jorogumo follow a strict conservative upbringing, and their teachings were repurposed by humans into the trope of the Japanese ideals of the "ultimate wife" - the "Yamato Nadeshiko".
The more militant sect of Jorogumo operate on a very stealth-based modus operandi and use their innate arachnid skills to great effect, and wound up inspiring the myth of the Kunoichi.
Jorogumo are very isolated individuals who generally keep a large distance from each other in order to avoid drawing attention to their actions. They refer to each other's "territories" as "webs".
Jorogumo are master craftswomen who are capable of producing many fine goods with their silk; music instrument strings, tapestries, clothing… Some even attempt to divine fortune and fate by reading the lines of their silk.
The queen of the Jorogumo has the title of Weaver-Mother; it is she who ensures the wellbeing of her daughters. She lives in a Grandcastle in the Nightlands - a disassembled manor, chunks of it suspended in the air and held together with massive bridges of webs.
The Jorogumo are split into several clans who in turn answer to the Weaver-Mother, each focused around specific niches:
The Jorogumo of the Shivering Strands are masters in data collection, surveillance and blackmail. Little passes through their ever-refining nets without notice, and they are adapting their methods to modern technology. While most of it is kept tightly under wraps, they have proven themselves willing to barter what they know with outsiders of good standing, for a price.
The Jorogumo of the Bladed Web are among the most dangerous of Kunoichi, and it takes a very displeased Weaver-Mother to personally dispatch these killers against anyone who incurred her wrath. When the anomalous trafficking crime syndicate Kabushiki Kawaii carjacked a busload of Jorogumo tourists to harvest their DNA for their lab projects in creating spider-themed "produce", the holding facility would later be found empty of their spidery captives, the captors all drawn, quartered, garroted, decapitated and dismembered into numerous pieces. (To rub salt in the wounds, a promotional flyer was left behind advertising the Jorogumo's courtesanal services showing the Joros were still willing to service out to KK - with a little scrawled not-so-friendly reminder for KK to NOT attempt churning out their own "knock-offs")
A third clan/branch themed around mysticism and fate-reading. Not quite sure about the name though. Fortune Spinners?
A fourth clan/branch themed around poisoning, drugs and manipulation. These Jorogumos insert themselves into hierachies of power as courtesans and charm targets into making the desired decisions/actions. They are updating their arsenal to include modern day hypnotics, drugs and foreign anomalous reagents.
An unaffiliated clan/branch for civilians and young girls who have yet to grow a fully functional set of spinnerets.
The name "Jorogumo" literally translates to "Whore(Joro) Spider(Gumo)". The origin of this name may have come from a botched marriage where the husband discovers his wife was a spider who kept it a secret all along, called her that, and it stuck. Some Jorogumos willingly refer to themselves as such out of a sense of identity, others prefer a more respectful term of "Gumo-Onna" (spider-woman). "Jorogumo ja nai! Gumoonna da."
Post-release, a LOT of Jorogumos will be seen dressed in Mofukus - black mourning kimonos. As it turns out, their vanishing left behind all the human men stranded within the Grandcastle. Unable to escape, these servants and husbands gradually died as age took them one by one, waiting for wives that would never return. The very last man of the castle became a gravekeeper. Some Jorogumo widows make the uneasy path to begin looking for a new husband, some choose to remain widows for extended periods of time.
Absolute clowns. Performers and pranksters. No Gods to corral or manage them, so they haven't changed all these years.
Not really good or evil, just clowns who want to entertain and have a good time. A Tanuki is capable of acts of good and mischief, unlike the Kitsune tightly binding themselves into the dualistic nature of Zenko and Yako.
Unlike the Kitsune, Tanuki are masters at shapeshifting into common everyday objects - the legend of the tanuki kettle is pretty real. On the other hand, their human guises aren't so good/durable.
The "gigantic testicles" image that male tanuki have was due to a rowdy and bawdy prank gone wrong (or right, depending on who you ask). Not that they're complaining about this image of them being so comically virile.
The Tanuki do not have a Grandcastle, but rather a Grandcircus festival of merriment that forms at certain time intervals (or whimsy) that parades through the Nightlands and spills into Japan.
Scavengers and freeloaders, the lot of them. Their idea of a good life is to scrouge, loiter and take life easy with a semblance of indifference. Not a single bone of formality nor decorum in their bodies!
The grandcastle of the cats reflects this; treated as a communal scratching post rather than a royal palace (the leader of the cats trading said palace for a garbage dumpster in the human world), human and neko servants would labor and toil to constantly fix and restore the damaged appearance, only for other nekos to begin raking their claws across the fresh varnish and restored wood.
No one knows who the "Old Cat" of the nekos is, because said ruler literally blends in amongst the rest of his/her subjects.
Thanks to the adored reputation cats have nowadays, bake/neko/tamas certainly have their work cut out for them in wallowing in all the adoration!
Converse to the kitsune who prefer to stay in human form and tanuki who prefer a balance of both animal and human form, the nekos prefer being in animal form by default and assuming human form only when necessary.
The mystical process to advance a rank is a shameless ripoff of the Kitsune's sacred rite of advancement, resulting in only one upgrade of a bakeneko to a nekotama (tail splitting into two) with no seeming further improvements. The kitsune remain sore about this to this very day.
Nekotamas for the most part don't really revel in their upgraded form, and actually go back to disguising themselves as standard bakenekos with a single tail. Aside from sheer laziness, this also makes picking fights with nekos dangerously unpredictable because nobody will know if there's a nekotama lurking amongst the lot of them - not even the bakenekos themselves.
As for Nekotama powers… Some of the human depictions are true, some are exagerrations or plain-out false. But as for what's what… That remains unknown and the nekotamas sure aren't telling.
WIP TALE MOVED TO http://rpcsandbox.wikidot.com/hyakkiyakko
