LettuceTheKid

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Registered Phenomena Code: XXX

Object Class: Alpha-Yellow

Hazard Types:
RPC-###-1: Mechanical Hazard, Transmutation Hazard, Extra-Dimensional Hazard
RPC-###-2: Sensory Hazard, Extra-Dimensional Hazard, Transmutation Hazard

Containment Protocols: RPC-###-1 should be kept in its camera case, in storage locker twenty-three, at Site-002. Batteries and film should be kept in their own pockets in the camera case if the film is open.1 Film and batteries shouldn’t be kept in the camera while in storage. Keep RPC-###-1 in the camera case until you are in the lab. Keep all your fingers away from the viewfinder. Keep fingers away from the shutter release button until ready for use.

When not being studied, instances of RPC-###-2 should be kept in individual sleeves in the designated red binders in Site-002’s library.

Addendum: Keep sleeves and instances of RPC-###-2 away from flames, liquids, and sharp objects, when not in use.

Description: RPC-###-1 is a black Polaroid Originals 4711 Sun 660 Autofocus Camera. It is roughly 19cm in height, 18 cm in width, by 18 cm in depth in size. The camera weighs .5 kg. There is a faded and worn purple sticker on the right side of the camera with yellow lettering that says “MAGIC!” The camera takes 600 polaroid film. It came with an optional black neckstrap with no anomalies. The camera is a point and shoot, autofocus camera, with automatic flash. The latter can not be overridden. There is no timer function on this camera. All photos must be taken by a human or robot.

It is to be noted that RPC-###-2 are the printed pictures taken with RPC-###-1.

RPC-###-1’s anomalies are presented when a subject being photographed is in focus in the foreground of the camera. After the flash goes off the subject being shot will no longer be in this dimension. RPC-###-1 will print a picture of the subject that has been shot at that point in time with a white background (RPC-###-2). It takes up to 30 seconds for a photograph to develop. If a piece of the subject is in focus and in the frame, that piece of the subject that has been left out of the picture will be severed from the subject and left in our reality. The subject in instances of RPC-###-2's organic subject's eyes can move for up to ten (10) seconds, as the mode out of the data, after full development of the photograph before movement stops, and a maximum of sixty (60) seconds. If the subject is organic, it will show the decomposition of the subject in the picture. The decomposition of the subject is slowed to that of a rate of the same subject being placed in a vacuum.

Addendum: When instances of RPC-###-2 are destroyed (ripped, burned, wet to the point of tearing, or cut,) the subject of the photo will be ‘released’ from the photograph. The subject will appear about five centimeters under the destroyed instance of RPC-###-2. When burned, or wettened to the point of disintegration, the instance of RPC-###-2 will be ‘released.’2

If ripped, the subject captured in RPC-###-2 will fall from the height of the center of RPC-###-2. It is common for the white edges of the film to stay while the inside of the photo is lost. If RPC-###-2 was caught on fire, the subject in the photograph will be ‘released’ in the state of decay as pictured with the added decay of flames, scorch marks, or ashes depending on how soon the fire was put out. If soaked in a liquid to the point of the picture was made flimsy enough to rip, even partially soaked, RPC-###-2 will be 'released' in a state of decay equal to the time of which that subject was decaying in our dimension but with the added accelerated effect of decay in water.

If the subject was ‘released’ in the window of time where the eye movement is still active, (around ten seconds after the development of the picture as stated before) the subject can be revived.

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