Artwork #: 1
Description: A wire sculpture, 1m in height, depicting a woman holding a baby.
Scene: Viewers report a scene of themselves being held by a woman, accompanied by a feeling of security and calmness. The woman has no facial features, save for two bleeding lacerations where her eyes should be located.
Artwork #: 2
Description: A collage, apparently made up of the ten cards used in the traditional Rorschach test, cut up with the pieces glued together in a grid like pattern.
Scene: A scene of two adult figures, one apparently male and one apparently female. Both are described as possessing indistinct features. The female figure is seated, while the male figure is standing, and making aggressive gestures and vocalizations towards the female figure. The female figure appears to have a heavily bruised face.
Artwork #: 3
Description: A painting, measuring 1m x 1m, depicting several anthropomorphic cicadas dressed in formal wear surrounding an open coffin, containing another cicada wearing a wedding dress with a noose around its neck. Oil on canvas.
Scene: Viewers report a scene in which they view a coffin being lowered into the ground from a first-person perspective, with most stating that the scene was viewed from close to ground level. Viewers also report an overwhelming feeling of confusion, despair, anger, and loss.
Artwork #: 4
Description: A drawing on standard letter paper, depicting a brown Dachshund. Colored pencil on paper. Paper appeared to be more than fifteen years old at time of RPC-XXX's discovery, and the drawing is affixed the the wall upside down with duct tape.
Scene: Viewers report no visuals associated with the scene, instead describing a feeling of pride, hopefulness, and wistfulness.
Artwork #: 5
Description: A collage made up of what appears to be numerous pages from books on parenting, with a hand painted in red overlaid. Several cicada shells are also glued to the collage.
Scene: Viewers report a scene in which a man is depicted beating a small child whose head is embedded within a large cicada shell. The man's face is featureless, save for a mouth which continuously vomits up cicada shells. Viewers report no emotional shifts associated with this scene.
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Artwork #: 14
Description: A painting of a map of Germany, made up of the faces of several individuals repeated dozens of times. Three of the individuals are known members of the Academy of True Art. Oil on canvas.
Scene: Viewers report a feeling of joy, optimism, and nostalgia. No visions are associated with this painting.
Artwork #: 15
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Artwork #: 16
Description: A collage made up of photos of various individuals, several of which are also represented in Artwork #14, along with leaves of the Cannabis indica plant. The centerpiece of this piece is a pair of surgically removed human lips from an unknown individual.
Scene: A vision of several of the photographed individuals seated in a darkened room, passing around joints. Viewers recount feelings of being accepted, and of certainty of friendship.
Artwork #: 17
Description: A 1.5m collage of a hand constructed from sheets of sketchbook paper. Each sheet has a handprint in the center, made from human blood.
Scene: Viewers report a feeling of hopefulness and witnessing a scene of themselves in a room filled with featureless people, sketching a nude woman. This woman has a deep laceration running from her forehead to her abdomen.
Artwork #: 18
Description: A pyramid constructed from wire and programs of an Academy exhibition. The programs indicate that Long's artwork was not included in the exhibition.
Scene: A feeling of disappointment and frustration.
Artwork #: 19
Description: A 1m tall sculpture, constructed from sheet metal, lawnmower blades, scissors, and various kitchen knives welded together, with paintbrushes glued to the ends of several blades. Several paintbrushes were dipped in human blood.
Scene: Viewers describe a scene in which they cut off the tips of their fingers with scissors and use their own blood to draw images on a nearby canvas. This vision is accompanied by a feeling of frustration and desperation.
Artwork #: 20
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Artwork #: 21
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Artwork #: 22
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Artwork #: 23
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Artwork #: 24
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Artwork #: 25
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Artwork #: 26
Description: Several dozen medical syringes, glued in a spiral pattern 70 cm in diameter. Syringes closer to the center are noticeably cracked and shattered.
Scene: Viewers report feelings of warmth, euphoria, heavy sensation in the extremities, and lethargy. Several CSD personnel that have experience with drug use have compared it to the effects of heroin.
Artwork #: 27
Description: A painting, 1.7m in height, of a door frame with the silhouette of a woman standing in it. Acrylic on plywood.
Scene: A brief silent scene of an unidentified woman standing in a doorway while crying and apparently screaming before leaving. Viewers report a feeling of regret and sadness.
Artwork #: 28
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Artwork #: 29
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Artwork #: 30
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Artwork #: 31
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Artwork #: 32
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Artwork #: 33
Description: A 3m length of plywood hallway. On each wall are five oil on canvas paintings, each of which have been badly cut and slashed.
Scene: Viewers report overwhelming feelings of rage and frustration, with some also reporting a first person scene of themselves destroying the canvas paintings themselves.
Artwork #: 134
Description: A 6m length of plywood hallway, the walls of which are painted completely black. This final artwork leads to the exit of RPC-XXX.
Scene: No visuals are reported, but viewers describe an overwhelming feeling of hopelessness and despair.
Artwork #: 135
Description: A cube constructed from plywood, with a doorway cut into two opposite sides. Inside, the walls are painted white, and a small platform hangs from the ceiling on a chain. A human skull has been placed on the platform.
Scene: No visuals are reported, but viewers describe a feeling of calm.
Artwork #: 136
Description: A stylized image of a cicada, engraved onto a brass plaque affixed to the exit door of the warehouse.
Scene: No visions or emotional shifts are reported; this piece was likely intended as a signature for the artwork as a whole.
